One thing I have learned as Conservative politicians ignorant of the facts surrounding harm reduction scare up fear of drug users, overdose prevention sites, safer supply and people who need compassion and mental health support; some people want to learn more about what harm reduction means and how it can help their loved ones before they become another overdose statistic.
The friendships that pulled the Yeastie Girlz together in the 1980s have stood the test of time. Although Cammie Toloui, Joyce Jimenez, Jane Guskin, and Kate (Rosenberger) Razo now live in four cities, making it tough to pull together gatherings in person, recent events brought them together online regularly.
The Yeastie Girlz have accomplished much in their life experiences over the past 35 years. In this episode, they talk about the group’s legacy – how the songs and ideas have aged, connecting to new fans via social media and old-fashioned postal mail, books, bookshops, bands, and the possibility of new raps.
Many bands were formed from friendships at the Gilman Street Project in Berkeley, California. The Yeastie Girlz was one of them that stood out from the crowd. Performing what they called vaginacore a cappella rap.
Most bands in the Gilman scene were made up of young men, with a smattering of women. So, although one of the club’s stated missions was to combat sexism, there was still much of it. During some shows, there were pits of aggressive males shoving and circling in front of the stage, and many women found themselves in the back of the club, excluded from the fun of the mosh pit due to overly aggressive behaviour.
In this episode, all four Yeastie Girlz speak about the impetus for getting up on the Gilman stage to start rapping, the elation and the terror of performing, and standing up to the violent misogyny of bands like The Mentors.
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